Private Down Under [electronic resource]. James Patterson.
The world's most exclusive detective agency opens a new office-in Australia! With the best detectives in the business, cutting edge technology and offices around the globe, there is no investigation company quite like Private. Now, at a glittering launch party overlooking the iconic Opera House, Private Sydney throws open its doors. Craig Gisto and his newly formed team have barely raised their glasses, however, when a young Asian man, blood-soaked and bullet-ridden, staggers into the party, and what looks like a botched kidnapping turns out to be a whole lot more. Within days the agency's caseload is full. But it is a horrific murder in the wealthy Eastern Suburbs and the desperate search for a motive that stretches the team to the limit. Stacy Friel, friend of the Deputy Commissioner of NSW Police, isn't the killer's first victim-and as the bodies mount up she's clearly not the last . . .
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| 245 | 1 | 0. | ‡aPrivate Down Under ‡h[electronic resource]. ‡cJames Patterson. |
| 264 | . | ‡aNew York : ‡bGrand Central Publishing, ‡c2014. | |
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| 490 | 0 | . | ‡aPrivate, ‡v7 |
| 520 | . | ‡aThe world's most exclusive detective agency opens a new office-in Australia! With the best detectives in the business, cutting edge technology and offices around the globe, there is no investigation company quite like Private. Now, at a glittering launch party overlooking the iconic Opera House, Private Sydney throws open its doors. Craig Gisto and his newly formed team have barely raised their glasses, however, when a young Asian man, blood-soaked and bullet-ridden, staggers into the party, and what looks like a botched kidnapping turns out to be a whole lot more. Within days the agency's caseload is full. But it is a horrific murder in the wealthy Eastern Suburbs and the desperate search for a motive that stretches the team to the limit. Stacy Friel, friend of the Deputy Commissioner of NSW Police, isn't the killer's first victim-and as the bodies mount up she's clearly not the last . . . | |
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