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| 05565cam a2200577 i 4500 |
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| 001 | 13346927 |
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| 003 | CARDINAL |
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| 005 | 20220526124217.0 |
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| 008 | 210710s2022 nyu e b 001 e eng |
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| 010 | | . |
‡a 2021028395 |
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| 020 | | . |
‡a9780063043855
‡q(hardcover) |
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‡a0063043858
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‡a9780063043862
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‡a0063043866
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‡z9780063211100
‡q(large print)
‡q(paperback) |
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| 024 | 8 | . |
‡a40030932102 |
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‡a(OCoLC)1260692004
‡z(OCoLC)1246226464
‡z(OCoLC)1277113620
‡z(OCoLC)1286847340
‡z(OCoLC)1291278923
‡z(OCoLC)1291404095
‡z(OCoLC)1293877414
‡z(OCoLC)1296926358
‡z(OCoLC)1303854096 |
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| 037 | | . |
‡bHarpercollins, 53 Glenmaura National Blvd Ste 300, Moosaic, PA, USA, 18507-2132
‡nSAN 200-2086 |
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| 040 | | . |
‡aDLC
‡beng
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‡an-us--- |
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| 050 | | 4. |
‡aPS3515
‡b.U789 2022 |
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| 050 | 0 | 0. |
‡aPS3515.U789
‡bY68 2022 |
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| 082 | 0 | 0. |
‡a814/.52
‡223 |
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| 100 | 1 | . |
‡aHurston, Zora Neale,
‡eauthor.
‡0(CARDINAL)144564 |
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| 245 | 1 | 0. |
‡aYou don't know us Negroes :
‡band other essays /
‡cZora Neale Hurston ; edited and with an introduction by Genevieve West and Henry Louis Gates Jr. |
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| 246 | 3 | 0. |
‡aYou do not know us Negroes |
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| 250 | | . |
‡aFirst edition |
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| 264 | | 1. |
‡aNew York, NY :
‡bAmistad, an imprint of HarperCollinsPublishers,
‡c[2022] |
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| 264 | | 4. |
‡c©2022 |
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| 300 | | . |
‡ax, 451 pages ;
‡c24 cm |
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| 336 | | . |
‡atext
‡btxt
‡2rdacontent |
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| 337 | | . |
‡aunmediated
‡bn
‡2rdamedia |
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| 338 | | . |
‡avolume
‡bnc
‡2rdacarrier |
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| 504 | | . |
‡aIncludes bibliographical references (pages 412-440) and index. |
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| 505 | 0 | 0. |
‡gPart One: On the Folk.
‡tBits of Our Harlem --
‡tHigh John de Conquer --
‡tLast Slave Ship --
‡tCharacteristics of Negro Expression --
‡tConversions and Visions --
‡tShouting --
‡tSpirituals and Neo-Spirituals --
‡tRitualistic Expression from the Lips of the Communicants of the Seventh Day Church of God --
‡gPart Two: On Art and Such.
‡tYou don't Know Us Negroes --
‡tFannie Hurst --
‡tArt and Such --
‡tStories of Conflict --
‡tChick with One Hen --
‡tJazz Regarded as Social Achievement --
‡tReview of Voodoo in New Orleans by Robert Tallant --
‡tWhat White Publishers Won't Print --
‡gPart Three: On Race and Gender.
‡tHue and Cry About Howard University --
‡tEmperor Effaces Himself --
‡tTen Commandments of Charm --
‡tNoses --
‡tHow It Feels to Be Colored Me --
‡tRace Cannot Become Great Until It Recognizes Its Talent --
‡tNow Take Noses --
‡tLawrence of the River --
‡tMy Most Humiliating Jim Crow Experience --
‡tLost Keys of Glory --
‡tSouth Was Had --
‡tTake for Instance Spessard Holland --
‡gPart Four: On Politics.
‡t"Pet Negro" System --
‡tNegroes Without Self-Pity --
‡tRise of the Begging Joints --
‡tCrazy for This Democracy --
‡tI Saw Negro Votes Peddled --
‡tMourner's Bench --
‡tA Negro Voter Sizes Up Taft --
‡tCourt Order Can't Make Races Mix --
‡tWhich Way the NAACP? --
‡gPart Five: On the Trial of Ruby McCollum.
‡tZora's Revealing Story of Ruby's 1st Day in Court! --
‡tVictim of Fate! --
‡tRuby Sane! --
‡tRuby McCollum Fights for Life --
‡tBare Plot Against Ruby --
‡tTrial Highlights --
‡tJustice and Fair Play Aim of Judge Adams as Ruby Goes on Trial --
‡tMcCollum-Adams Trial Highlights --
‡tRuby Bares Her Love Life --
‡tRuby's Story: Doctor's Threats, Tussle over Gun Led to Slaying! --
‡tRuby's Troubles Mount: Named in $100,000 Lawsuit! --
‡tLife Story of Mrs. Ruby J. McCollum! --
‡tMy Impressions of the Trial. |
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| 520 | | . |
‡a"One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston's well-known works such as "How It Feels to be Colored Me" and "My Most Humiliating Jim Crow Experience." The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer's work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer's development and a window into her world and time."--
‡cProvided by publisher. |
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| 600 | 1 | 0. |
‡aMcCollum, Ruby,
‡d1909-1992
‡vTrials, litigation, etc. |
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| 650 | | 0. |
‡aAfrican American authors.
‡0(CARDINAL)228758 |
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| 650 | | 0. |
‡aAfrican American art.
‡0(CARDINAL)228752 |
|---|
| 650 | | 0. |
‡aHarlem Renaissance.
‡0(CARDINAL)240849 |
|---|
| 650 | | 0. |
‡aAfrican Americans
‡xSocial life and customs.
‡0(CARDINAL)228877 |
|---|
| 650 | | 0. |
‡aAfrican Americans
‡xSocial conditions.
‡0(CARDINAL)228873 |
|---|
| 650 | | 0. |
‡aArtists.
‡0(CARDINAL)230402 |
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| 651 | | 0. |
‡aUnited States
‡xRace relations
‡y20th century.
‡0(CARDINAL)871320 |
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| 655 | | 7. |
‡aEssays.
‡2lcgft
‡0(CARDINAL)326961 |
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| 655 | | 7. |
‡aTrial and arbitral proceedings.
‡2lcgft
‡0(CARDINAL)341742 |
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| 700 | 1 | . |
‡aWest, Margaret Genevieve,
‡eeditor,
‡ewriter of introduction.
‡0(CARDINAL)824622 |
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| 700 | 1 | . |
‡aGates, Henry Louis,
‡cJr.,
‡eeditor,
‡ewriter of introduction.
‡0(CARDINAL)162666 |
|---|
| 902 | | . |
‡aMARCIVE 202206 |
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| 901 | | . |
‡a13346927
‡bAUTOGEN
‡c13346927
‡tbiblio
‡soclc |
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