The Witch of Hebron [electronic resource]. James Howard Kunstler.
The dystopian epic of World Made by Hand continues in a novel hailed as “Larry McMurty’s Lonesome Dove , set in the dystopian world of The Road ” ( New York Journal of Books ).   A new age has begun on Earth. Oil is no longer a resource. Some parts of America are nuclear wastelands. Civilization has devolved into a constant struggle for food, water, and shelter.   In the tiny hamlet of Union Grove, New York, the US government is little more than a rumor. Wars are being fought over dwindling resources and illness has a constant presence. Bandits roam the countryside, preying on the weak and a sinister cult threatens the town’s fragile stability. It is up to every citizen of Union Grove to decide what they are willing to fight for, kill for, and die for . . .   This is a tale of humanity at its shining best and brutal worst woven together in a “suspenseful, darkly amusing story with touches of the fantastic in the mode of Washington Irving” ( Booklist ).   “Kunstler’s postapocalyptic world is neither a merciless nightmare nor a starry-eyed return to some pastoral faux utopia; it’s a hard existence dotted with adventure, revenge, mysticism, and those same human emotions that existed before the power went out.” — Publishers Weekly
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The dystopian epic of World Made by Hand continues in a novel hailed as “Larry McMurty’s Lonesome Dove , set in the dystopian world of The Road ” ( New York Journal of Books ). A new age has begun on Earth. Oil is no longer a resource. Some parts of America are nuclear wastelands. Civilization has devolved into a constant struggle for food, water, and shelter. In the tiny hamlet of Union Grove, New York, the US government is little more than a rumor. Wars are being fought over dwindling resources and illness has a constant presence. Bandits roam the countryside, preying on the weak and a sinister cult threatens the town’s fragile stability. It is up to every citizen of Union Grove to decide what they are willing to fight for, kill for, and die for . . . This is a tale of humanity at its shining best and brutal worst woven together in a “suspenseful, darkly amusing story with touches of the fantastic in the mode of Washington Irving” ( Booklist ). “Kunstler’s postapocalyptic world is neither a merciless nightmare nor a starry-eyed return to some pastoral faux utopia; it’s a hard existence dotted with adventure, revenge, mysticism, and those same human emotions that existed before the power went out.” — Publishers Weekly
